World Device I

World Device I

I took a photo of a geometric pattern on a wall of the Bou Inania Madrasa,
a religious school from the 14th century in the city of Meknes, Morocco.
It is a legacy of the Marinid Dynasty and a marvel of Islamic architecture.

I used this photo to create my own geometric pattern.
Once I got the two-dimensional pattern down I used this as a base to create a three-dimensional city.

I took what is already there and I made a hidden world visible.
The same way nature and our society are full of hidden patterns and it is impossible to see them all.

Max Tegmark, a renowned Swedish-American Professor in Physics and Cosmology at MIT,
wrote a book called “Our Mathematical Universe” in which he posits that reality is in fact a mathematical structure.

It is up for debate if this theory is true, but maybe I can reveal a
glimpse of the mathematical base structure behind our reality.

Below you can see the process in making “World Device”

Transport of the artwork in Ljubljana, Slovenia. With Stef Van Bellingen.

Above: “A Ves… You Know” – Galerija Kresija Ljubljana, Slovenia by WARP, Curators: Laureline Soubry and Stef Van Bellingen
Sculpture in the Foreground “MIWEE” by Nel Bonte

This artwork is printed on very high quality German Etching paper from Hahnemühle.

The frame is a design of Pieter Léon Vermeersch and is considered to be a part of the artwork.

This artwork is the result of 2 months of work and is therefore on sale in 7 limited editions.

With frame the artwork measures 160 x 100 cm.

Email me for availability at pieter@astopia.eu

Real Fiction

Real Fiction

The design of this scale model is based on the concept of a panopticon. A Panopticon is an institutional system of control designed by the English philosopher and social theorist Jeremy Bentham in the late 18th century.

The scheme of the design is to allow all inmates of a prison or institution to be observed by a single watchman without the inmates being able to tell whether or not they are being watched. The shape of the building often comes in the form of a star.

Although it is physically impossible for the single watchman in the center to observe all the inmates’ cells at once, the fact that the inmates cannot know when they are being watched means they are motivated to act as though they are being watched at all times.

In ‘Discipline and Punish’, Michel Foucault builds on Bentham’s conceptualization of the Panopticon. The ever-visible inmate, Foucault suggests, is always ‘the object of information, never a subject in communication’.

This is a concept that sounds all too familiar when we think of all the cameras that are constantly pointed at us. Can we walk in a modern city without being watched?

Is this building beautiful or threatening? Isn’t it often easy to feel small and powerless when walking under these concrete giants? Is the future going to be a utopia or a dystopia? Maybe the line between the two is a bit blurred.

This model is built to scale 1/200, so in reality the building would be about 240 meters tall. In 2012 it was exhibited for a month at the Bozar Centre for Fine Arts in Brussels.

The video below shows the process in making the model and is done by using the stop-motion technique. The model consists of 1845 different parts which are modelled in 3D and cut out with a laser-cutter. The model is about 1m25 in height.

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In the video above you can watch an excerpt from the television series that was broadcast on national television.

Below are some images that reveal the design process.

I started looking for basic geometric shapes I could base my building on.

After that I created a technical drawing in 3D that defines the thickness and position of all the different parts to get a solid structure without having to compromise on the original design.

I exported these parts to a laser-cutter to cut them out MDF plates. Because some of the parts have a sharp corner I had to manually cut off some of the edges in a certain angle with a mini table saw (see video below).

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Aboven: all the pieces spread out on 1 sheet

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Above: Real Fiction at Aporia Gallery in Brussels

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I feel happy and honored to have a place in the Design Museum Den Bosch (Netherlands) with my work.

My installation ‘Real Fiction’ is displayed among works from the collections of the Royal Institute of British Architects, Musée d’Orsay Paris, the Kröller-Müller Museum and the Hamburger Kunsthalle, among others. This is all in the context of their new exhibition titled ‘GOTH’.

It feels like my work is displayed among my international idols.

For example, on the right side you will find an original version of the book “The Metropolis of Tomorrow” by Hugh Ferriss. This book is very hard to find in Europe, so the museum had it specially brought over from the US.

Around the corner you will find work by H. R. Giger, the legendary Swiss concept artist who designed the sets for the films Alien and Dune (by David Lynch), among others.

This exhibition on the theme of GOTH presents a very large range of artifacts and designs from the last 200 years. Starting with the romantic revival of Gothic architecture in the 19th century.

More than worth a visit!

Expo period: from October 19, 2021 through April 18, 2022

Location: De Mortel 4, 5211 ‘s-Hertogenbosch, Netherlands

A Real Spectacle

A Real Spectacle

All kinds of changes are happening in our world today:
molecular nanotechnology is rapidly evolving, our climate is drifting
and artificial intelligence might take over the world.

Most people feel small and powerless facing all these big changes.
Do we have any influence or are we just spectators who sit and watch?

I created the concept of a sinking cruise ship as
a metaphor for our society as a whole.

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This artwork is partially based on the work of Étienne-Louis Boullée,
the visionary French architect from the 18th century.

He designed a gigantic 150 meter tall monument to celebrate
the work of Isaac Newton, who 50 years after his death became
a symbol of Enlightenment ideas.

The monument has never been built, but it represented
the new wind of rationalism and science
that was blowing in society in the 18th Century.

The monument of Boullée is a mirror of the changes that were going on
in the 18th century. I was wondering how I could design a monument
that is a reflection of the changes in our time.

This artwork consists of a 11 individual framed artworks
which can exist independently.

View on my Solo Art Show at Aporia Gallery in Brussels.

Artworks on display: 160 x 100 cm, print on German etching paper, floating frame. Limited edition.

A Real Spectacle – Close-up
180 x 90 cm, print on German etching paper, floating frame. Limited edition.

Artworks are printed on very high quality German Etching paper (with 0% reflection)

All prints come with a custom made frame and a certificate. Send me and email at pieter@astopia.eu to check for availability.

A Real Spectacle – Side View
160 x 100 cm, print on German etching paper, floating frame. Limited edition.

A Real Spectacle – Close-up
160 x 100 cm, print on German etching paper, floating frame. Limited edition.

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